Stella Ekpe

Multidisciplinary visual artist working through painting, mixed media and self-portraiture.

Stella Ekpe's practice sits within a living network of memory, identity and inheritance, where the body and the home become parallel archives of lived experience. Working from self-portraits she stages and photographs herself, Ekpe treats her own image not as autobiography but as a point of departure for questions that extend beyond the personal: what is inherited, what is preserved, and what continues to shape us long after a moment has passed.

Her signature technique, Ekpe Papier Strata, layers dissolved paper into the painted surface to build skin-like ridges and folds, a material language for memory as something accumulated and continually reshaped. In works such as Where Flowers Remember, this inquiry extends to grief, maternal endurance and displacement within Nigeria, positioning tenderness as an act of resistance amid fractured environments. Ekpe's domestic interiors and reclining figures hold stillness, vulnerability and ritual in tension, revealing how identity is shaped as much by the spaces we inhabit as by the histories we carry within us.

Stella Ekpe (b. 1996) is a Lagos-based Nigerian multidisciplinary visual artist whose practice explores memory, identity, home, femininity and the psychological landscapes of lived experience. A graduate of the University of Port Harcourt with a degree in Painting, she works primarily with oil, pastel and material experimentation, building richly textured surfaces through her self-developed Ekpe Papier Strata technique, which layers transformed paper onto canvas to create skin-like folds and topographies.

Based in


Mediums

Themes

Oil, pastel, mixed media and Ekpe Papier Strata (layered dissolved paper) on canvas

Memory, identity, home, femininity, inheritance and the body as archive


Education

2018: University of Port Harcourt, Nigeria; Bachelor of Arts in Fine Arts and Design (Painting), Second Class Honours (Upper Division)


Selected Exhibitions

2026: Plus234ArtFair x Soto Gallery, Lagos.

2025: The Artist Commune, OneArt Gallery, Lagos; Latitudes (RMB), Cape Town; +234ArtFair with Soto Gallery, Lagos.

2024: The Artist Commune, OneArt Gallery, Lagos.

2023: The October Rain, Gemini Art Gallery, Lagos


Collections/ Recognition

Lagos, Nigeria

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Rhizoscape: The Living Network exhibition in London will be showcasing some of this artist’s work from 19th February to 4th March 2027


Practice Themes

Memory as Accumulation

Ekpe treats memory as something built up in layers and continually reshaped, a idea she makes physical through her Ekpe Papier Strata technique, where dissolved paper forms skin-like ridges and folds.

The Body and Home as Archives

The figure and the domestic interior act as parallel records of lived experience, showing how identity is shaped by the spaces we inhabit as much as by the histories we carry.

Tenderness as Resistance

Grief, maternal endurance and displacement are met with care rather than despair, positioning gentleness as an act of resistance amid fractured environments.

Working chiefly from staged self-portraiture, Ekpe uses the figure as a vessel through which personal and collective histories meet, examining how memory, environment, relationships and cultural inheritance shape belonging

The works

I Dream of Sea
£0.00

Stella Ekpe

Oil, Pastel and Ekpe Papier Strata on canvas

2025

107 x 107 cm; 42.1 x 42.1

Price: POA

A reclining self-portrait suspended between sleep and awareness, I Dream of Seas explores memory, emotional stillness, and the body as a site of quiet transformation. The layered surface, built through my Ekpe Papier Strata technique, mimics the movement of water and shifting terrain, allowing the painting to oscillate between flesh, dream, and landscape.

Bathed in warm reds and golds, the work reflects on vulnerability, rest, and the fragile psychological space between consciousness and surrender.

What makes a city
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Stella Ekpe

Oil, pastel & ink on canvas

2026

91 x 61 cm ; 35.8 x 24 in

Price: POA

What Makes a City reflects on the city as an emotional and collective archive shaped more by human presence than by architecture alone. Drawn from memories of childhood and the familiar rhythms of growing up in Nigeria and through layered figures immersed within a saturated landscape, the work blurs the boundary between body, memory, and environment, suggesting that cities continue to exist within those who move through them.

Fragments of markings and textured surfaces evoke traces of language, memory, movement, and shared experience, the invisible structures that quietly shape urban identity. The painting considers how histories, emotional residue, and communal presence become the true architecture of a place. 

Inspired the body is an archive, then the skin is its surface of inscription

Lucid
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Stella Ekpe

Oil, Pastel and Ekpe Papier Strata on canvas

2024

122 x 91 cm; 48 x 35.8 in

Price: POA

In Lucid, the figure exists within a suspended psychological space between dreaming and wakefulness. The upward gaze, saturated palette, and tactile surface create an atmosphere that feels both intimate and unstable, as though memory itself is still forming.

Built through layers of oil, pastel, and Ekpe Papier Strata technique, the surface takes on a skin-like quality. Rising, folding, and holding traces of gesture and emotion. These physical layers becomes a material vessel for memory and the way it settles onto the body, becoming something felt as much as remembered.

Through vibrant blues, greens, and reds, the work explores introspection, emotional fragmentation, and the fleeting clarity that emerges within moments of stillness and self-awareness.

Déjà Vu
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Stella Ekpe

Oil & pastel on canvas

2024

122 x 91 cm ; 48 x 35.8 in

Price: POA

Déjà Vu explores intimacy, emotional distance, and the fragile space between connection and isolation. Positioned within a shared domestic setting, staged by myself and partner, it depicts two figures occupying the same room yet remain psychologically apart. Bathed in warm golden light and layered textures, the painting reflects on longing, repetition, the cyclical emotional rhythms that shape human relationships and whether human skin can function as a palimpsest.

“My practice explores the interior landscapes of memory, identity, inheritance, and the evolving meaning of home through self-portraiture, painting, and material experimentation. Working primarily from photographs I take of myself, I use my own image not as autobiography, but as a point of departure for investigating experiences that resonate beyond the personal. Rather than presenting fixed narratives, I create open-ended works that invite reflection on what we inherit, what we preserve, and what continues to shape us long after moments have passed”